Level Up – EASA 2018
“Similar spots can be found practically everywhere around us, but most fruitful would be to concentrate on turning underused or unformed spaces into something special.”
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Tag: re:easa
test-Protest – EASA 2018
Individually, collectively – our moves made cities.
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Re:Room – EASA 2018
A room, a theater, a cinema, an exposition, a bath, a place to talk, to discuss, to hear music, to draw, to plan, to work, to chill, to sleep, to have sex, to cry; a Room of Response.
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I Collect Moments & Nostalgia’s Teeth off the Floor
A (Mostly) Visual Essay on Photography, Nostalgia and RE:EASA
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Augmented Experience – EASA 2018
They have disassembled Rijeka’s abandoned places, investigated them, took notes and drew, then put it all together and uploaded it for your hungry eyes. This project is for all of you who missed Rijeka’s magical urban pockets when you were there, but also for those who had seen them and know them well – this will warp your perspective of it! Hristina and Nikola, the workshop’s tutors joined us for an interview about their digitally analogue project.
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RE:EASA story: The Epilogue
In response to the “Letter from the organisers”, published in July as a prologue to the story of RE:EASA, we bring you a letter written by the members of our editorial board who were present at the event. Hvala, EASA Croatia, for everything.
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Rijeak – EASA 2018
The aims and principles of Rijeak not only looked to engage the local residents in their own city but gave all of us, as participants in the workshop, a great opportunity to understand the city we were working with. Rijeak asked us to think about Rijeka on a deeper level.
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Masonry – EASA 2018
In a way, destroyed buildings could offer useful waste, a great amount of material that can later be used for new constructions, continuing to tell new stories.
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Spotlight – EASA 2018
Our interventions wish to speak out to the viewer: ‘Look, we can still do something here! These spaces have stories, history and value.’
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RE:EASA – The Angels’ Letter
At the end of the day, after the enthusiasm, creativity and love that these intelligent young architects have shown me, I can only be optimistic about the future – in a humane and professional way.
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Suspense – EASA 2018
The city itself was the inspiration for main material selection. Rope is characteristic local, harbor material. A Dead canal, about twenty meters wide, was successfully spanned with a structure made exclusively out of hand-tightened and tied ropes.
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Nomads – EASA 2018
After changing several locations, nomads find a place they call home. They don’t stay there for long, but they don’t usually go far from their previous habitation.
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